Graduate French and Comparative Literature Courses at University College London (UCL)
Dead Things and Demolition Sites: Cultural, Visual, and Historical Representations in France, 1580-1889
Visual Representation and Critical Theory in Contemporary France
Film Theories and Practices (MA Film Studies Seminar)
The Spaces and Objects of Women’s Pictures and Chick Flicks, 1904-2008 (MA Film Studies Seminar)
Autobiography and Self-Writing in Nineteenth-Century France
Comparative Literature Practice and Methodology (seminars on ideology, cultural history, the body)
Comparative Literature Theory (seminars on authorship, Barthes, Foucault, Derrida)
MA Film Core Course (seminars on early cinema, documentary cinema, and the New Wave)
Visual Representation and Critical Theory in Contemporary France
Film Theories and Practices (MA Film Studies Seminar)
The Spaces and Objects of Women’s Pictures and Chick Flicks, 1904-2008 (MA Film Studies Seminar)
Autobiography and Self-Writing in Nineteenth-Century France
Comparative Literature Practice and Methodology (seminars on ideology, cultural history, the body)
Comparative Literature Theory (seminars on authorship, Barthes, Foucault, Derrida)
MA Film Core Course (seminars on early cinema, documentary cinema, and the New Wave)
Graduate French and Comparative Literature Courses at Harvard University and the University of Rochester
Theorizing the Marginal Body: Literature and History in 19th-Century France
“New Cultural History,” “New Historicism,” and Debates over Representation
Realism: Looking Awry in the Nineteenth Century
Looking out from Paris in the Nineteenth Century: Flâneurs, Observers, Tourists, and Travelers
On Longing Revisited: Theorizing the Absent Object
The Literature of Revolution: France, 1789-1871
Theory of Culture: Culture, Contagion, Censorship in the 19th and 20th centuries
Comparative Literature Graduate Seminar: Introduction to Critical Theory and Practice
The Body in the Literature and History of Nineteenth-Century France and England
“New Cultural History,” “New Historicism,” and Debates over Representation
Realism: Looking Awry in the Nineteenth Century
Looking out from Paris in the Nineteenth Century: Flâneurs, Observers, Tourists, and Travelers
On Longing Revisited: Theorizing the Absent Object
The Literature of Revolution: France, 1789-1871
Theory of Culture: Culture, Contagion, Censorship in the 19th and 20th centuries
Comparative Literature Graduate Seminar: Introduction to Critical Theory and Practice
The Body in the Literature and History of Nineteenth-Century France and England
Undergraduate French and Comparative Literature Courses at University College London (UCL)
Screen Cities: Representing the Margins of Paris, 1830-2010 (fourth-year seminar)
Dangerous Bodies and Lady Killers: Criminality and Gender in 19th-c. European & American Literature and History (fourth-year seminar)
Criminality and Gender in Nineteenth-Century France (fourth-year seminar)
Jean-Luc Godard (fourth-year seminar)
The Uncanny (intermediate interdepartmental seminar)
European Cinema (intermediate interdepartmental lecture course with seminars)
Film Theory (second-year seminar)
French Film Noir (second-year seminar)
Cryptographs: Museums, Tombs, and the Novel (second-year comparative literature seminar)
Romanticism and Modernity: The Nineteenth Century (second-year survey course)
French Film History, 1895-1961 (second-year lecture course)
Museums and the Novel in Nineteenth-Century France (second-year seminar)
Sexuality and Gender in French Cinema (second-year seminar)
War and Torture in European Cinema (second-year interdepartmental seminar)
Reading in the Dark: Introduction to French Cinema (first-year seminar)
The Making of Modern France (first-year survey course with seminars)
French Literature in Contexts (first-year survey course with seminars)
French Translation (fourth-year literary translation seminar)
Use of French (fourth-year French grammar and translation)
The French Essay (fourth-year French essay writing)
Year Abroad Projects Supervision, Convenor for 2nd-Year Projects Supervision, Convenor for 1st-Year Projects
Dangerous Bodies and Lady Killers: Criminality and Gender in 19th-c. European & American Literature and History (fourth-year seminar)
Criminality and Gender in Nineteenth-Century France (fourth-year seminar)
Jean-Luc Godard (fourth-year seminar)
The Uncanny (intermediate interdepartmental seminar)
European Cinema (intermediate interdepartmental lecture course with seminars)
Film Theory (second-year seminar)
French Film Noir (second-year seminar)
Cryptographs: Museums, Tombs, and the Novel (second-year comparative literature seminar)
Romanticism and Modernity: The Nineteenth Century (second-year survey course)
French Film History, 1895-1961 (second-year lecture course)
Museums and the Novel in Nineteenth-Century France (second-year seminar)
Sexuality and Gender in French Cinema (second-year seminar)
War and Torture in European Cinema (second-year interdepartmental seminar)
Reading in the Dark: Introduction to French Cinema (first-year seminar)
The Making of Modern France (first-year survey course with seminars)
French Literature in Contexts (first-year survey course with seminars)
French Translation (fourth-year literary translation seminar)
Use of French (fourth-year French grammar and translation)
The French Essay (fourth-year French essay writing)
Year Abroad Projects Supervision, Convenor for 2nd-Year Projects Supervision, Convenor for 1st-Year Projects
Undergraduate French and Comparative Literature Courses at Harvard University,
the University of Rochester, and the University of California, Berkeley
Introduction to French Literature, I: Medieval to 17th-century
Introduction to French Literature, II: 18th-20th centuries
The Sophomore Seminar in French Studies: “Pretexts, contexts, and subtexts for reading French literature”
Critical Theory and Practice
Post-Structuralism, Post-Modernism, and the Visual Arts (team-taught with Prof. Norman Bryson in the Dept. of Fine Arts)
Visual Representation and Critical Theory
The Nineteenth-Century French Novel
La Littérature française et les limites du corps au 19e siècle
Le Spectacle imaginaire du roman au 19e siècle
Dangerous Bodies and Lady Killers: Criminality and Gender in 19th-century French Culture and History
The Nineteenth Century: Museums and the Novel
Archives, Memory, and Literature
Translation and French Poetry of the 19th and 20th centuries
Introduction to Comparative Literature
Remembered Topographies: Nineteenth-Century Paris in Architectural and Novelistic Memory
Freud, Sexuality, and the Field of Vision
Cryptographs: Tombs, Museums, and the Novel
French and World Literature and Composition
Scandalous Readings: Travesties of Gender and Genre
Criminality and Gender in Film and the Novel
On the Margins of Fairy Tales
Women and Literature: The Others of Romance, Voices of Dread
French Language, Beginning to Advanced
Introduction to French Literature, II: 18th-20th centuries
The Sophomore Seminar in French Studies: “Pretexts, contexts, and subtexts for reading French literature”
Critical Theory and Practice
Post-Structuralism, Post-Modernism, and the Visual Arts (team-taught with Prof. Norman Bryson in the Dept. of Fine Arts)
Visual Representation and Critical Theory
The Nineteenth-Century French Novel
La Littérature française et les limites du corps au 19e siècle
Le Spectacle imaginaire du roman au 19e siècle
Dangerous Bodies and Lady Killers: Criminality and Gender in 19th-century French Culture and History
The Nineteenth Century: Museums and the Novel
Archives, Memory, and Literature
Translation and French Poetry of the 19th and 20th centuries
Introduction to Comparative Literature
Remembered Topographies: Nineteenth-Century Paris in Architectural and Novelistic Memory
Freud, Sexuality, and the Field of Vision
Cryptographs: Tombs, Museums, and the Novel
French and World Literature and Composition
Scandalous Readings: Travesties of Gender and Genre
Criminality and Gender in Film and the Novel
On the Margins of Fairy Tales
Women and Literature: The Others of Romance, Voices of Dread
French Language, Beginning to Advanced